Home Trending News Louvre launches blockbuster Da Vinci exhibition, 500 years after his death

Louvre launches blockbuster Da Vinci exhibition, 500 years after his death

Louvre launches blockbuster Da Vinci exhibition, 500 years after his death

“We wished, in order to pay homage to the artist, to be able to show the entirety of Leonardo Da Vinci’s career and his development and to explain, ultimately, the sense of his life,” curator Vincent Delieuvin said.


The exhibit runs until February 24, 2020. Visitors must reserve tickets online in advance; the Louvre said it had already pre-sold 220,000 tickets before opening.

More than 10 years in the making, the project began when Louis Frank, the exhibit’s other curator, translated a Renaissance-era Da Vinci biography to round out existing knowledge about the painter’s life. That biographical emphasis is evident in the exhibit’s design, which traces the artist’s trajectory from his apprenticeship with Florentine sculptor Andrea del Verocchio to his death in France in 1519.

With a whole room devoted to his scientific pursuits, it seeks to capture the quest for knowledge and perfection of a man Delieuvin calls “a universal genius”.

“Leonardo Da Vinci, he is one of those rare men, those personalities who fascinate us, because he was universal,” Delieuvin said. “He had an interest in all aspects of nature, we all see ourselves in his personality.

“Mathematicians, geometry specialists, doctors, artists – everyone sees a part of themselves in Leonardo.”

A journalist takes a snapshot of the "The Virgin and Child with Saint Anne".

A journalist takes a snapshot of the “The Virgin and Child with Saint Anne”.Credit:AP Photo/Thibault Camus

Several of Da Vinci’s completed paintings are on display, including La Belle Ferronniere and The Virgin and Child with Saint Anne. The Mona Lisa remains in its case, upstairs. Visitors will be able to see Portrait of a Musician on loan from the Vatican and Benois Madonna from St. Petersburg, among other works the Louvre borrowed for the occasion.

Some pieces proved more difficult to obtain. The Vitruvian Man, Da Vinci’s famous drawing of the ideally proportioned male figure, arrived in France from Venice’s Accademia Gallery only days before the exhibit’s opening.

Italian heritage group Our Italy tried to block the loan, saying the drawing was too fragile to be moved. An Italian court originally suspended the loan before ruling that it could travel to France for eight weeks. In exchange, the Louvre will lend several works by Raphael to Rome next year.

Touritst taking photos of the Mona Lisa.

Touritst taking photos of the Mona Lisa.Credit:AP Photo/Thibault Camus

The dispute fanned the flames of a broader debate about Da Vinci’s legacy and Italian national identity.

“A Leonardo Da Vinci exhibit is very difficult to do, since Da Vinci has become a symbol,” Delieuvin said, calling it “natural” that some museums are reluctant to lend pieces from their collections.

Though Da Vinci died in France, Delieuvin said Louvre officials recognise and celebrate the painter’s Italian roots.

“I assure everyone that the French have never appropriated Leonardo Da Vinci,” he said. “Leonardo is a genius who is evidently Italian, he was entirely formed in Italy, and he would not have become Leonardo Da Vinci in France.”

Another, still-absent piece has also drawn significant attention. The Louvre put out a call for the Salvator Mundi but has yet to receive the painting, which sold to an anonymous buyer for a record-breaking $US450 million ($657 million) in 2017.

It’s unclear where the painting is, but speculation abounds that Saudi Crown Prince Mohammed Bin Salman is its new owner. (He is also reported to have recently purchased Yayoi Kusama’s immersive work All the Eternal Love I Have for the Pumpkins, featuring the Japanese artist’s signature spotted pumpkins in a mirrored room.)

Art experts, meanwhile, remain divided over whether Da Vinci in fact painted Salvator Mundi.

For now, a variation of the work, created in Da Vinci’s studio, hangs in the Louvre exhibit. Delieuvin said he does not know who owns the original, but he’s holding out hope it will be sent over.

Delieuvin has said the Louvre will withhold judgment on its provenance until they have the painting in hand.

AP with Bloomberg

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