United Kingdom-based designer Alexandra Sipa creates spellbinding accessories and garments from waste electrical wires. The Central Saint Martins’ graduate initially was inspired to experiment with wires as textiles when her headphones broke, leading her to extract the colorful coils and cables to create wire lace.
The designer learned to craft vibrant lace from YouTube videos, books, and her own mishaps, and one of her enchanting dresses took 1,000 hours to complete. Many cultural and historical references are woven into her pieces, including her interest in extreme austerity and heightened femininity in Romania. “The aesthetic of Bucharest is a mix of French architecture, grey brutalist apartment complexes, and mega communist structures (like the Palace of Parliament), while the women are usually very careful about the way they look, getting all dressed up for a supermarket trip and loving the ultra-glamorous, ultra-feminine look.”
Objects of nostalgia, the ruffled garments evoke her Romanian grandmother’s damaged, garden fence. They mirror the endless colors that were revealed throughout the cracks. More broadly, Sipa’s work is dedicated to how her grandmother cares for her household objects, reinventing them with time. “Every time I visit her, there’s something changed around the house, something moved, something repainted,” the designer says. “She will make any object look like a treasure, no matter where it came from. That stuck with me.”
Sipa’s garments echo her views on sustainability, and she believes that otherwise unwanted products should be seen as an opportunity to create new inventions and discover unusual techniques. “As my practice is rooted in creating luxury products out of local waste sources, my collection tackles one of the fastest-growing sources of waste in electronic waste, reaching 50 million tons in 2020,” she explains.
The designer’s goal is the complete circularity of her garments. “The industry is becoming aware of the urgency for change due to the climate emergency and the increasing demand from consumers for more sustainable options,” she explains. “However, companies need to recognize the business opportunity in the circular fashion industry.” The designer also stresses the importance of recognizing the economic, environmental, and social impacts. “ Fashion needs to become more sustainable from the inside out, not only in the materials used but also ethically in the treatment and compensation of workers in the production chain and workers designing the clothes.”
Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.